Listening to North Indian Classical Music: How Embodied ways of listening perform imagined histories and Social Class. Chloë Alaghband Zadeh
Tipo de material:![Artículo](/opac-tmpl/lib/famfamfam/AR.png)
Tipo de ítem | Biblioteca actual | Colección | Signatura | Info Vol | Copia número | Estado | Fecha de vencimiento | Código de barras |
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Museo Nacional de Etnografía y Folklore Centro de procesamiento | Revistas | E/ ETHNOM/ vol.61(2)/ sum.2017 | no.2 | 1 | Disponible | HEMREV029110 |
With this article, I theorize the sociality of embodied ways of listen- ing to North Indian classical music. I focus on rasikas (connoisseurs): these expert listeners are conspicuous at live performances, where they gesture and comment to express their enjoyment of the music. Based on ethnography and interviews with musicians and music lovers in Delhi, Mumbai, and Pune, I argue that rasikas' embodied, audible listening practices enact shared imagined histories and perform expertise and social status. Moreover, these listening behaviors also sustain values of the so-called old middle class in India in the face of economic and social change.
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