000			01971nab a2200313 4500
001			MUSEF-HEM-PPE-091168
003			BO-LP-MUSEF
005			20230529111733.0
008			230518b1981 us q|||| |||| 00| 0 eng d
040			_aBO-LpMNE
041			_aeng
092			_sE _aAMER-ANT/vol.46(4)/ Oct 1981
100	1		_aMurdy, Carson N.
245			_aCongenital deformities and the Olmec were jaguar motif. _cCarson N. Murdy
260			_aEstados Unidos-US : _bSociety for American Archaeology, _c1981.
300			_apáginas 861-871: _bilustraciones en blanco y negro.
310			_aTrimestral
362			_avol.46; n.4 (Oct 1981)
490			_aAmerican Antiquity. Journal of the Society for American Archaeology ; _vno.4
520			_aAlthough previous studies of Olmec iconography have correctly recognized the importance of the jaguar element and its conceptual origins in the shaman jaguar trnasformation complex of beliefs, they have not explained why the Olmec expression of feline features should be different from their expression in other prehistoric American art styles sharing origins in the same complex of beliefs, nor why the olmec chose to express them in the form of an infant were jaguar, often hell in the arms of a seated adult male. IT is here suggested that the majority of the attributes of the were jaguar motif can best be explained by analogy with the congenital deformities manifested in and associated with multifactorial neural tube defects.
653			_aICONOGRAFIA
653			_aARTE
653			_aCULTURA OLMECA
773	0		_0302350 _976528 _aSociety for American Archaeology _dEstados Unidos-US : Society for American Archaeology, 1981. _oHEMREV005160 _tAmerican Antiquity. Journal of the Society for American Archaeology; _w(BO-LP-MUSEF)MUSEF-HEM-PPE-091157
810			_aSoociety for American Archaeology.
850			_aBO-LpMNE
901			_aCarla Nina López
942			_2ddc _aBIB _bBIB _cPPE _dCON _fDON _g2018-10-16 _j011
999			_c302457 _d302457