000			02112nab a2200325 4500
001			MUSEF-HEM-PPE-091791
003			BO-LP-MUSEF
005			20240515182021.0
008			240515b2016 xxu||||| |||| 00| 0 eng d
040			_aBO-LpMNE
041			_aeng
092			_sE _aETHNOM/Vol.60(2)/2016
100	1		_aHutchinson, Sydney
245			_aAsian Fury: A tale of Race, Rock, and Air Guitar. _cSydney Hutchinson
260			_aIllinois-XXU : _bUniversity of Illinois Press, _c2016.
300			_apáginas 411-433: _bilustraciones en blanco y negro.
310			_aTres veces al año
362			_aVol. 60, no. 3 (2016)
490			_aEthnomusicology. Journal of the Society for Ethnomusicology ; _vno. 3
520			_aAttending to race has become essential in ethnomusicology at least since publication of Music and the Racial Imagination (2000). And what sort of musical performance could be more imaginary than air guitar? Compet- itive air guitarists realized long before scholars that their art form provided an ideal means by which to contest the overwhelming whiteness of rock and electric guitar, sometimes extending their critique to include gender as well. Asian and Asian American competitors in particular used their one-minute stage performances to comment ironically on the emasculation of Asian males and the infantilization of Asian females through the construct of "Asian fury." Based on field research in Germany, Finland, and the United States since 2009, this article argues that air guitar performance has helped certain audiences to reimagine the linkages between race and rock.
653			_aGENEROS MUSICALES
653			_aMUSICA POPULAR
653			_aETNOMUSICOLOGIA
773	0		_0305074 _978260 _aSociey for Ethnomusicology _dIllinois-XXU : University of Illinois Press, 2016. _oHEMREV029271 _tEthnomusicology. Journal of the Society for Ethnomusicology ; _w(BO-LP-MUSEF)MUSEF-HEM-PPE-091789
810			_aEstados Unidos. _bSociety for Ethnomusicology.
850			_aBO-LpMNE
866			_a1
942			_2ddc _cPPE _dCON _j011
999			_c305084