000			01992nab a2200325 4500
001			MUSEF-HEM-PPE-091793
003			BO-LP-MUSEF
005			20240516093533.0
008			240515b2016 xxu||||| |||| 00| 0 eng d
040			_aBO-LpMNE
041			_aeng
092			_sE _aETHNOM/Vol.60(2)/2016
100	1		_aSpinner Terpenning, Steven
245			_aAfrican Musical Hybridity in the Colonial Contexto: An Analysis of Ephraim Amu´s "Yen Ara Asase Ni". _cSteven Spinner Terpenning
260			_aIllinois-XXU : _bUniversity of Illinois Press, _c2016.
300			_apáginas 459-483: _bilustraciones en blanco y negro.
310			_aTres veces al año
362			_avol. 60, no. 3 (2016)
490			_aEthnomusicology. Journal of the Society for Ethnomusicology ; _vno. 3
520			_aThis essay describes how the creative hybridity of "Yen Ara Asase Ni," a choral composition by Ephraim Amu, contributed to the emergence of national consciousness in Ghana. Originally composed for a colonial ho- liday in 1929, this piece spread through schools, radio broadcasts, and live performances, and was heard throughout the country around the time of independence. Based on postcolonial theory, secondary sources, archival re- search, and interviews, I present a history and analysis of "Yen Ara Asase Ni" that demonstrates how it disrupted colonial categories, such as religion and culture, and prepared the way for an independence movement informed by Pan-Africanism and Christianity.
653			_aGENEROS MUSICALES
653			_aMUSICA POPULAR
653			_aMUSICA -AFRICA
773	0		_0305074 _978260 _aSociey for Ethnomusicology _dIllinois-XXU : University of Illinois Press, 2016. _oHEMREV029271 _tEthnomusicology. Journal of the Society for Ethnomusicology ; _w(BO-LP-MUSEF)MUSEF-HEM-PPE-091789
810			_aEstados Unidos. _bSociety for Ethnomusicology.
850			_aBO-LpMNE
866			_a1
942			_2ddc _cPPE _dCON _j011
999			_c305092